Lektionen / Lessons
Series of lectures on the exhibition Considering the Collection & King Vulture An Insert by Willem de Rooij (8.3.–20.8.2023)
28.6.2023
Helmut Draxler
State, Situation, Action. The Social Imaginary in Dutch and Flemish Painting
14.6.2023
Carolin Bohlmann and IJsbrand Hummelen
Re-enactment in Conservational Practice
31.5.2023
Christian Kravagna
Birds. Snakes. Palms. Power. What can Dutch painting tell us about Austrian colonialism?
24.5.2023
Vanessa Joan Müller
Re-reading Images: Reference and Re-reading in the Work of Willem de Rooij
8.3.2023
Willem de Rooij
King Vulture
Series of lectures on the exhibition The Purloined Masterpiece. Images as Time Machines (7.4.2022–29.1.2023)
26.1.2023
Victor I. Stoichita
The Nervous Statue. On the Pygmalion Iconography in the Eighteenth Century
18.1.2023
Anna-Sophie Berger und Teak Ramos
Advice you can take
14.12.2022
Sandra Hindriks
Optical Illusions as Tests. Painting around 1500 in the Interplay of Sensual and Intellectual Experience
9.11.2022
Bernhard Siegert
The Second Day of Creation. The Romantic Seascape between Painting and Physics
14.10.2022
Gabriele Mackert
Chronicler of the Seas. About Allan Sekula’s Marea negra: Fragmentos para una ópera

28.6.2023
Helmut Draxler
State, Situation, Action. The Social Imaginary in Dutch and Flemish Painting

14.6.2023
Carolin Bohlmann and IJsbrand Hummelen
Re-enactment in Conservational Practice

31.5.2023
Christian Kravagna
Birds. Snakes. Palms. Power. What can Dutch painting tell us about Austrian colonialism?

24.5.2023
Vanessa Joan Müller
Re-reading Images: Reference and Re-reading in the Work of Willem de Rooij

8.3.2023
Willem de Rooij
King Vulture

Series of lectures on the exhibition The Purloined Masterpiece. Images as Time Machines (7.4.2022–29.1.2023)
26.1.2023
Victor I. Stoichita
The Nervous Statue. On the Pygmalion Iconography in the Eighteenth Century

18.1.2023
Anna-Sophie Berger und Teak Ramos
Advice you can take

14.12.2022
Sandra Hindriks
Optical Illusions as Tests. Painting around 1500 in the Interplay of Sensual and Intellectual Experience

9.11.2022
Bernhard Siegert
The Second Day of Creation. The Romantic Seascape between Painting and Physics

14.10.2022
Gabriele Mackert
Chronicler of the Seas. About Allan Sekula’s Marea negra: Fragmentos para una ópera
